There is a Tree in My Studio

Aspen and birch trees are some of my favorite subjects in landscapes because the white bark makes a good contrast to all of the colorful leaves in the paintings.  Since I photograph the trees from a distance, I rarely get a chance to really examine the bark.

This week I noticed a seven-foot aspen trunk for sale in a flower shop and immediately realized the possibilities of having it in my studio.  I could put it under my  skylight and observe the shadows on it throughout the day as I painted, helping me with the lighting on the trunks.

COLOR RANGE

What I didn’t realize was how many colors were actually in the bark that I always thought was white with brown and black striations and spots.  I was delighted to see golds, peaches, aquas and greys with an undercoat of orange here and there.  What a difference and inspiration for future paintings!

EARLY INFLUENCES

My love of trees may have started during my first six years when I lived on my grandfather’s timber ranch in Idaho, then developed further with my father’s apple orchard in Washington.  Now, I live on a wooded lot surrounded by trees, and paint in a studio behind the house in a building whose dimensions were determined by the three vine maple tress on three corners.  I know I’ll be painting trees for a long time and with the help of my aspen trunk, they will be even more colorful.

Below is a painting of birch trees near Whistler, B.C.  The group of trees thrilled me so much that I’ve used them in several paintings.  It is a 40″ x 40″ acrylic titled “Canadian Woods Turning Red”.

 

Metcalf, Joan Canadian Woods Turning Red

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